LYNN READS A BOOK: The Bird House by Kelly Simmons
Lynn Rosen writes about local author Kelly Simmons and her new novel The Bird House.
Friday, February 11, 2011
Saturday, December 18, 2010
Literary Mama : Blog : Blog Book Review: Chosen
Literary Mama : Blog : Blog Book Review: Chosen
Read my review of local author Chandra Hoffman's Chosen on Literary Mama's blog.
Read my review of local author Chandra Hoffman's Chosen on Literary Mama's blog.
Tuesday, December 7, 2010
For W. Phila. writer, poetry pays | Philadelphia Inquirer | 12/04/2010
For W. Phila. writer, poetry pays | Philadelphia Inquirer | 12/04/2010
Yay for Elyse! Yay for Poetry! Yay for Philly!
Yay for Elyse! Yay for Poetry! Yay for Philly!
Saturday, October 23, 2010
Local Event: Nicole Krauss - Great House
This Thursday, I joined Lynn Rosen's Sneak Peak class for Nicole Krauss's reading at the Central Library on the Parkway. Everyone in Lynn's class has already finished reading the newly-released Great House, a fact that surprised even Krauss. (The class reads advance review copies of soon-to-be-published books.)
I saw Nicole Krauss when she was touring for History of Love. This time around she seems more comfortable in front of a crowd. Instead of reading from Great House, Krauss read from something she had prepared about the making of the novel. Not only was it an exercise that addressed one of her obsessions (memory), but it anticipated those how did you write this questions. When the final proof of the book is at the publisher, she says, it's like a door is closed. Locked. And soon the writer herself begins to forget all that went into the making of the story, how it came to be, the decisions involved, the discarded ideas. The door is closed and the writer has lost the key.
Great House started as the short story "The Young Painters" published in The New Yorker, in which a New York novelist works at a desk she inherited from a Chilean poet after he was disappeared. A year after she finished the story she went back and asked, what would happen if the desk was taken away from the novelist?
She had three elements, three obsessions going in -- a desk, a shark and a reassembled room. She knew there would be four voices and that in some way they were going to connect. There was no outline, no structure.
Writing for Krauss resembles anthropologists searching for dinosaurs. The crew start out following their intuition about where a dinosaur might have fallen. They walk back and forth looking for a claw or a knuckle. When they find something, they dig until they uncover the dinosaur they've been walking back and forth on top of all along. That's her process. Follow her obsession, her intuition, until she uncovers the story she's been walking on all along.
In listening to her describe her process. You might think, oh this is too intellectual. There's no emotion. This sounds suspiciously like a plotless endeavor. But you would be wrong. Now, I haven't read Great House yet. (The Sneak Peak class thoroughly endorses it.) Her second novel, History of Love, is one of my all-time favorite novels. The character of Leo Gursky is one of the most memorable and lovable people I have met. As a woman in the audience confessed, she sees Leo in a coffee shop whenever someone spills something and thinks that person wants to be noticed. Krauss's obsessions do meet up and create a novel you want to keep reading.
If you missed this reading, look for the podcast. It takes a bit for the library to get them up. I just listened to Jonathan Franzen's reading and the quality of the recording is very good. Of course it's not the same as being there and having the opportunity to ask a question if you are so moved, then standing in line to get your book signed and being a blithering idiot in front of your literary idol, but it's good.
I saw Nicole Krauss when she was touring for History of Love. This time around she seems more comfortable in front of a crowd. Instead of reading from Great House, Krauss read from something she had prepared about the making of the novel. Not only was it an exercise that addressed one of her obsessions (memory), but it anticipated those how did you write this questions. When the final proof of the book is at the publisher, she says, it's like a door is closed. Locked. And soon the writer herself begins to forget all that went into the making of the story, how it came to be, the decisions involved, the discarded ideas. The door is closed and the writer has lost the key.
Great House started as the short story "The Young Painters" published in The New Yorker, in which a New York novelist works at a desk she inherited from a Chilean poet after he was disappeared. A year after she finished the story she went back and asked, what would happen if the desk was taken away from the novelist?
She had three elements, three obsessions going in -- a desk, a shark and a reassembled room. She knew there would be four voices and that in some way they were going to connect. There was no outline, no structure.
Writing for Krauss resembles anthropologists searching for dinosaurs. The crew start out following their intuition about where a dinosaur might have fallen. They walk back and forth looking for a claw or a knuckle. When they find something, they dig until they uncover the dinosaur they've been walking back and forth on top of all along. That's her process. Follow her obsession, her intuition, until she uncovers the story she's been walking on all along.
In listening to her describe her process. You might think, oh this is too intellectual. There's no emotion. This sounds suspiciously like a plotless endeavor. But you would be wrong. Now, I haven't read Great House yet. (The Sneak Peak class thoroughly endorses it.) Her second novel, History of Love, is one of my all-time favorite novels. The character of Leo Gursky is one of the most memorable and lovable people I have met. As a woman in the audience confessed, she sees Leo in a coffee shop whenever someone spills something and thinks that person wants to be noticed. Krauss's obsessions do meet up and create a novel you want to keep reading.
If you missed this reading, look for the podcast. It takes a bit for the library to get them up. I just listened to Jonathan Franzen's reading and the quality of the recording is very good. Of course it's not the same as being there and having the opportunity to ask a question if you are so moved, then standing in line to get your book signed and being a blithering idiot in front of your literary idol, but it's good.
Labels:
Great House,
History of Love,
Lynn Rosen,
Nicole Krauss
Monday, September 13, 2010
Read Local: We're Always Reading In Philadelphia
Well the summer's over. I wanted to take a moment to thank all of you for reading along and supporting local writers, especially in this lousy economy. Over the past few weeks, I've received some feedback about Philly Word of Mouth's Read Local that I want to share it with you.
Read Local!
There so much great talent in Philly - both writers and lawyers. I know now that if I'd worked at Cozen O'Connor, I'd be a Pulitzer Prize winner. --John GrishamKeep reading and sending your comments. Remember the fall is the perfect time to catch up on your summer reading.
Philly Word of Mouth is the absolute best. This summer's Read Local reading list was 50% women. That's 12% more representation than the New York Times.--Jodi Picoult
Amen, Sister! --Jennifer Weiner
Philly's Lit Scene rocks. Brooklyn sucks. We're moving. What's the admission's number at The Philadelphia School? --Nicole Krauss and Jonathan Safran Foer
This summer's Read Local program was a boon to the local economy. Who knew! When you buy local writers' books, they spend like they've never had money before. The Pennsylvania Liquor Control Board alone reported a 10% increase in revenue.
--Mayor Michael Nutter
Even the undead read in Philly. What a great town! --Stephanie Meyer
Read Local!
Sunday, September 5, 2010
Book review: 'Let's Take the Long Way Home' by Gail Caldwell - latimes.com
Book review: 'Let's Take the Long Way Home' by Gail Caldwell - latimes.com
If I'm not mistaken, Judith Klein is talking about the Lombard Swim Club:
If I'm not mistaken, Judith Klein is talking about the Lombard Swim Club:
One evening, I accidentally left the book behind on a chair at an upscale Philadelphia swim club famous for its copious open bar and hard-drinking regulars. To my considerable annoyance, it disappeared, and its fate remains unknown.
Monday, August 30, 2010
Stories sparkling with poetic vision | Philadelphia Inquirer | 08/29/2010
Stories sparkling with poetic vision | Philadelphia Inquirer | 08/29/2010
A review of Robin Black's If I loved you, I would tell you this. I love when the Inky recognizes brilliant local talent.
A review of Robin Black's If I loved you, I would tell you this. I love when the Inky recognizes brilliant local talent.
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